Epigraphic Relics from the Age of Mathias I

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dc.contributor.authorVárady Zoltán
dc.date.accessioned2024-04-17T10:32:35Z
dc.date.available2024-04-17T10:32:35Z
dc.date.issued2019
dc.description.abstractThe end of gothic maiuscula style can be put generally to the end of 14th century.In Hungary, similarly to other European territories the gothic minuscula style didn'treplace the maiuscula on coins as it still appeared after the end of the 14th century.On the coins of Mátyás the features of the maiuscula style is found. So, it would seemthat coins are the most conservative in the usage of gothic maiuscula.The secret seal of Mátyás (1459) is of gothic minuscula style. The latter's greatpendant seal, first Czech king's seal, second secret seal (1485) also bear minusculaletters. This style was also used on stone-inscriptions until the end of his reign, so thepopularity of the Gothic minuscula style lasted throughout the 15th century, too. Therelief version of the Gothic minuscula appears in the first decade of the 15th century.This type was used continuously from the middle until the end of this century.The creation of the humanistic (or renaissance) capitals was performed in Italy,both in its early version and in the classical version inspired by the ancient Romancharacters. The Italian style humanist capitalis lettering appeared in Hungary veryearly on the golden seal of Mátyás (1464), on which only the G letter is earlyhumanist. The same lettering is used on his secret Czech ruler's (1486) and Austrianprince's (1487) seals. The humanist capitalis type dominates on seals from this point.The first known apparition of the humanistic capitals can be exactly dated, as theyear 1467 is figured on the half-pillar head of Vetési Albert. During 1480's and1490's the font type became common throughout the whole country, slowly replacingthe gothic minuscula.The early version of the humanistic capitals was found in Hungary too, which canalso be considered as being an alternative version. This early shape was used as atransitory writing and also become popular by panel pictures of the van Eyckbrothers from Netherlands. This type was in use until the years of the decade startingwith 1520.In Hungary, the first early capitalis type lettering appears in 1472 on the secretHungarian-Czech ruler's seal of Mátyás, the same year when the archbishop VitézJános deceased. His grave covering stone was ornamented with the same letteringtype. The epitaph of Vitéz János is written in these characters in a relief form,whereas the lateral plate of the tomb bears relief inscriptions made in Gothicminuscula.This series of relics continues with the ornamental well in Visegrád, decoratedwith the coat-of-arms of the Hunyadi family, traced down by art historians to 1483.The relief inscription of Mátyás in Bautzen bearing the year 1486 joins in thisqueue.While the pure classical version of the humanistic capitals stood under the directinfluence of the Italian writing, the early version was most probably transmitted fromthe German-speaking areas.As it can be observed well, the age of King Mátyás is rich in epigraphic relics,and these relics are bearing four different lettering types at the same time.
dc.identifier.issn1584-3165
dc.identifier.mtmt30342291
dc.identifier.urihttps://krepozit.kre.hu/handle/123456789/1069
dc.language.isoen
dc.relation.ispartofSTUDIA UNIVERSITATIS CIBINIENSIS SER HISTORIA 14 : Supplement pp. 119-160. , 42 p. (2017)
dc.titleEpigraphic Relics from the Age of Mathias I
dc.typeArticle
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