Angol Nyelvű Irodalmak és Kultúrák Tanszéke

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Browsing Angol Nyelvű Irodalmak és Kultúrák Tanszéke by Author "Györke Ágnes"

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    Central and Eastern Europe and the West: Affective Relations
    (Brill, 2021) Györke Ágnes; Bülgözdi Imola
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    Doris Lessing's London Observed and the Limits of Empathy
    (2017) Györke Ágnes
    London Observed (1992) portrays London as a palimpsest which is profoundly different from the urban representations in Lessing’s early novels. As opposed to In Pursuit of the English (1960), The Golden Notebook (1962) and The Four-Gated City (1969), the volume depicts the metropolis as a joyful yet visibly controlled space, imagined by an unnamed narrator who is relentlessly wandering in the city. The London it presents hides secreted lives, yet it also requires the repression of empathetic affective responses to the lives of others. As I argue in this paper, the metropolis allows the narrator to enjoy urban life while remaining unaffected by its everyday traumas: she is not a hypersensitive urban observer in this city, but a disillusioned psychogeographer who opts for indifference in order to survive in the metropolis. Instead of offering alternative possibilities, as de Certeau believed in “Walking in the City,” walking produces a controlled and indifferent vision of the city in London Observed: it appears as an act that re-inscribes new narratives upon repressed stories. When read from today’s post-millennial vantage, we might discern how Lessing’s collection presciently suggests that the British capital, from the late 1980s onwards, was becoming not only a more visibly gendered and multicultural place, but also an indifferent and apathetic city, habitable at the price of declining empathy.
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    On the periphery: Contemporary exile fiction and Hungary
    (2021) Györke Ágnes
    This article explores the concept of the periphery as a geopolitical and aesthetic category in the works of three exilic writers of Hungarian origin, Agota Kristof, Tibor Fischer, and Zsuzsa Bánk. These three novels, which have not previously been studied in a comparative framework, explore resistance, terror, and trauma in post-war Eastern Europe, mobilizing a set of tropes that portray the limits of everyday life in Hungary during and after the Second World War. Relying on the concept of “peripheral aesthetics”, it argues that a close reading of Kristof’s The Notebook (Le Grand Cahier [1986]), Fischer’s Under the Frog (1992), and Bánk’s The Swimmer (Der Schwimmer [2002]) reveals that the peripheral spaces these novels depict are associated both with the geopolitical location of Hungary and with the traumas of the post-war period. The three novels make use of various strategies of peripheral aesthetics which reect dier-ent stages of coping with the collective traumas of the region.
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    Rushdie and Globalization
    (Cambridge University Press, 2023) Györke Ágnes
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    Rushdie posztmodern nemzetei: Az éjfél gyermekei, a Szégyen és a Sátáni versek
    (Debreceni Egyetemi Kiadó, 2012) Györke Ágnes