Orpheus Noster, XVI. 3 (2024): Multimodal code-switching / Multimodális kódváltás
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Date
2024
Authors
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Publisher
Károli Gáspár Református Egyetem
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Abstract
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Marianna Deganutti – Johanna Domokos: Foreword. Interrelated Modes of Multimediality, Expressiveness and Code-switching in Arts, 5–11.
Tímea Kovács: The Meaning of Code-Switching in Anne Tardos’s Multilingual Poem Minden Ami, 12–23.
Daniela D’ Eugenio: Images of Proverbs. Intermedial Code-Switching in Italian Illustrations of Proverbs, 24–43.
Yves Landerouin: From Il disprezzo to Le Mépris. Multilingualism and Code-switching in Jean-Luc Godard’s Film, 44–57.
Aleksej Tikhonov: Translanguaging and Reflection on Language Realities in the Lyrics of German Rap Artists with an East Slavonic Background in the 21st Century, 58–71.
Biliana Vassileva: Code-switching in Choreography, 72–84.
Ildikó Tamás: Identity, Bilingualism, Minority Status. Sámi Young People on Instagram, 85–96.
Sabira Ståhlberg: AllФаBeet: A Glimpse into a Multilingual Writer’s Kitchen, 97–111.