Browsing by Author "Lázár Marianna"
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- ItemRestrictedA Kofun-kor művészete: japán sírépítészet a 3-7. században(2022) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi Kar
- ItemRestrictedA narai Sószóin kincstár múltja és jelene(Károli Gáspár Református Egyetem, 2025) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi Kar
- ItemOpen AccessA Négy Égtájőr díszzászlók szerepének vizsgálata a japán udvari arisztokrata kultúrában(2019) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi Kar
- ItemRestrictedA Négy Égtájőr díszzászlók szerepének vizsgálata az Edo-kori Japánban(2024) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi Kar
- ItemOpen AccessA Study on the relationship between japanese aristocracy and the four Gods belief in medieval and pre-modern times(2019) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi KarThis paper analyzes the relationship between the Four Gods belief and Japanese aristocracy, and focuses on the development of ceremonial items (flags and staffs with sculptures on top) representing the deities in medieval times and in the pre-modern Edo period. The Four Gods belief refers to a Chinese faith in four mythological animal-beasts, each representing a cardinal direction: Blue Dragon of the east, Red Bird of the south, White Tiger of the west, Black Warrior of the north. Based on textual study, picture study and fieldwork, I would like to present my conclusions on how and why the role of the Four Gods changed gradually to modern days.
- ItemOpen AccessA Vej-dinasztia története. Feljegyzések a va népről(2022) Lázár Marianna; Keleti Nyelvek és Kultúrák Intézete; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi KarJelen munka egy rövid bevezető tanulmány után az első magyar nyelvű fordítását közli a Vej cse Vo-zsen csuan 魏志倭人傳 ( jap.: Gisi Vadzsinden 魏志倭人伝) néven közismertté vált krónikafejezetnek. E történelmi szöveg, mely a Szan kuo cse 三國志 (A Három Királyság története) krónika Vej-dinasztiáról szóló részében szerepel, kínai szemszögből tárgyalja az i. sz. 3. században élt ( jajoi-kori) japán nép (kül)politikai és társadalmi viszonyait, földrajzát és hagyományait. A történelemben először, kiemelten szó esik benne a máig vitatémának számító Jamatai államról és bemutatja Va királynőinek (Himikónak és Ijo/Tojonak) kapcsolatát a Vej udvarral. Történelmi és kulturális szempontból is igen jelentős műről beszélhetünk, mely elsősorban kutatóknak és leendő japanológus diákoknak lehet értékes forrás, de ugyanúgy érdekes lehet Japán (ős)története iránt érdeklődő olvasóknak is.
- ItemOpen AccessAncient Chinese and Korean influences on Japanese Tomb Murals(2021) Lázár Marianna; Japanológia Tanszék; Kelet-Ázsia Intézet; KRE - Bölcsészet- és Társadalomtudományi KarThis paper will first introduce the basic burial customs of ancient Japan, then examine the cultural-historical factors that might have influenced the development of traditions of funerary art in the Kofun and Asuka period. The immigration of Korean monks, scholars and craftsmen to Japan during the Kofun and Asuka period transformed Japanese art. Analyzing the mural paintings of the Takamatsuzuka Tomb and Kitora Tomb, the author detects Chinese and Korean influences on Japanese funerary art. Many Korean influences during this time originated in China, but were adapted in Goguryeo or Baekje before reaching Japan. Moreover, imperial Japanese envoys who visited Sui and Tang China, came back to Japan with excellent artistic skills and introduced new artistic styles and themes of the Tang period. The frescoes of the Takamatsuzuka Tomb and Kitora Tomb are remarkable examples of how Japan greatly absorbed and modified the knowledge and philosophies of ancient Chinese culture.
- ItemOpen AccessAncient Coins of Japan(2022) Lázár MariannaThis paper aims to investigate the origins of ancient coins of Japan (until the 10th century CE), introduce the characteristics of their design and patterns, and examine their role in early Japanese culture and public administration, while briefly introducing the ancient Chinese coins that served as inspiration. Japan adopted numerous ancient Chinese cultural practices during the Asuka and Nara periods (538–794 CE). Especially from the second half of the 7th century to the 8th century CE, Japan introduced various social systems from the Tang dynasty in order to build a centralised government. Japanese nobles recognised the importance of metallic currency, leading to some silver and bronze coin production at the second half of the 7th century CE, including that of Mumon Ginsen and Fuhonsen coins. Scholars believe that they were modelled after ancient Chi nese coins. The mintage was regarded as an essential tool for the Japanese government to display the independence and the authority of the nation, both inside and outside the country. The system of the first official imperial currency (Kōchōsen) was introduced to Japan in the early 8th century CE and inspired by the Kāiyuán Tōngbǎo cash coins of the Tang dynasty. The oldest known offi cial Japanese imperial coinage is the Wadō Kaichin. In the second half of the 8th century CE, the national currency was reformed, and silver and gold cash coins were introduced. However, by the end of the 10th century CE, Japan subsequently suspended the mintage and circulation of coins.
- ItemOpen AccessArchaeology and Onmyōdō. Human-Shaped Ritual Objects Associated with Purification Rites and Curses(2025) Lázár MariannaThis chapter examines human-shaped effigies (hitogata) and a unique type of ritual pottery characterized by human faces (jinmen bokusho doki) from ancient Japan in the context of Onmyōdō, a tradition of blending elements from Daoism, esoteric Buddhism, and Shintō. Hitogata were used in purification and exorcism rituals by ritualists, acting as symbolic surrogates to absorb and remove defilements, thus restoring harmony. Based on specific archaeological finds, historical records, classical literature, and secondary sources, the study explores their origin, characteristics, and function in both state and private rituals. Additionally, jinmen doki are examined for their role in roadside rituals and spirit pacification, connecting the living with the spiritual realm. The research investigates their iconography, distribution, and ritual use, reflecting continental cosmological beliefs and Onmyōdō practices. By exploring the similarities and differences between these objects, the paper demonstrates their significance in ancient ritual practices, many of which were conducted by onmyōji practitioners.
- ItemRestrictedAz ókori kínai Négy Égtájőr-kultusz motívumainak koreai és japán integrációja(2022) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi Kar
- ItemOpen AccessÓkori és kora-középkori japán pénztörténet(2022) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi KarA tanulmány a 10. századig terjedő japán ókori és kora középkori érmék eredetét, mintázatait és kulturális-gazdasági szerepét vizsgálja, valamint bemutatja a kínai pénzek hatását a kialakításukra. A 7–8. században Japán a Tang-dinasztia mintájára számos kínai kultúrelemet és tudásanyagot átvett, és saját érméket, például a Mumon Ginzen és Fuhonszen típusokat kezdte önteni. Ezek a korai érmék inkább a központi hatalom és császári legitimáció jelképei voltak. Később megjelent az első „hivatalos”, kereskedelmi forgalomba került Vadó Kaicsin érme is.
- ItemOpen AccessÓkori kínai és koreai hatások a japán murális sírművészetben(Magyar-Japán Baráti Társaság, 2020) Lázár MariannaThis paper will first introduce the basic burial customs of ancient Japan, then examine the cultural-historical factors that might have influenced the development of traditions of funerary art in the Kofun and Asuka period. The immigration of Korean monks, scholars and craftsmen to Japan during the Kofun and Asuka period transformed Japanese art. Analyzing the mural paintings of the Takamatsuzuka Tomb and Kitora Tomb, the author detects Chinese and Ko rean influences on Japanese funerary art. Many Korean influences during this time originated in China, but were adapted in Goguryeo or Baekje before reaching Japan. Moreover, imperial Japanese envoys who visited Sui and Tang China in the 7th century, came back to Japan with excellent artistic skills and introduced new artistic styles and themes of the Sui and Tang peri od. The wall paintings of the Takamatsuzuka Tomb and Kitora Tomb are remarkable exam ples of how Japan greatly absorbed and modified the knowledge and philosophies of ancient Chinese culture.
- ItemOpen AccessStudy on the development of ancient Japanese turtle motifs(2022) Lázár Marianna; Kelet-Ázsia Intézet; Japanológia Tanszék; KRE - Bölcsészet- és Társadalomtudományi KarTurtles/tortoises hold great significance in many ancient cultures. Often perceived as the foundation for the beginning of things or an emblem of cosmos, they have a sacred role in mythologies, legends and folklore around the world, especially so in East and Southeast Asia. In Chinese culture, tortoises are generally viewed as a symbol of longevity, endurance, stability and wisdom because of their long lifespan and unique appearance. In early modern and modern Japanese culture, turtles/tortoises with a tail made of seaweed and algae can be seen as a symbol of several legendary creatures and deities. Accompanied by a crane, they are favored, auspicious motifs appearing in visual arts, crafts and even in modern-day popular culture. But what about ancient times? Besides turtle-shaped prehistoric objects, turtle motifs can be found on bronze bells, bronze mirrors, stone structures, carvings, textile art, frescos of burial mounds and other artifacts from ancient Japan. How did people who lived in the Japanese archipelago during prehistoric and ancient times depict these animals? What cultural-historical factors influenced the development of these peculiar motifs and mysteriously-shaped objects? In this paper, the author explores early Japanese depictions of turtles and tortoises from the middle Jōmon period to the Asuka period.